Tats

Disclosure:  I have no tattoos.  Not one. Not even a discreet mumbling insect somewhere only cognoscenti would look.  I do have some varicose veins on my legs which, if you squint, can be mistaken for tattoos.  I also have a couple of holes in  one earlobe, but that’s it as far as bod-mod is concerned.  Only removable stuff, and not much of it.

So, naturally, I’m well qualified to write about tattoos.

I came up in a time when they were the sole prerogative of sailors, ex-marines, carnies, and other folk with a propensity to drunkenness in unusual places and a propensity to accept dares as solemn challenges.  And, now that I think of it, a place to go when paychecks and wild urges were completely spent, until next time around the block.  Themes were limited: Mom, Semper Fi, pierced hearts inscribed with ‘[your name here] Forever,’ and a handful of dragons and dripping daggers.  There were prison tats, of course, but those mostly looked like some middle schoolers’ cribbed notes for an upcoming exam.

They remained daring for years, until  — when, the 90s?  Now they’re so common it’s unusual to see bare skin younger than 60.  And I mean common: pets, cartoon characters, bible verses.  It’s like the middle schoolers replaced their crib sheets with the kind of doodles that used to be reserved for textbooks.

Now and then you see a kanji character, an inscription in Sanskrit, or some homage to Maori body art, makes no difference which, since the bearers seldom understand them, and the artists who ink them even less often.  You know those tech instructions in poorly translated, fractured English that everyone laughs at?  How many tattoos in exotic scripts evoke the same kind of reaction in people who can read them?

In any case, tat madness coupled with the current penchant for extremes has come to the point where it is sometimes hard to tell if someone is wearing a shirt.  We’ve come a long way since Ray Bradbury’s classic book of short stories, The Illustrated Man, in which tattoos covering the entire body were used as a device to connect the stories.  In 1951, when the book was published, everyone easily bought into the notion that the man was not only unusual, but possibly a dangerous freak.  He wouldn’t even be considered extreme now.

Are there “good” tattoos?  Of course there are, dear.  Only, it’s not easy to tell them from bad ones.  Some people will tell you all tattoos are good by default, but that argument would be … tatological.

Like all fashions, this one, too, will pass.  Eventually, it will once again be a trait of the very old or very bold.  One day, your kids will laugh at all the silly stuff you had permanently affixed to your body.

If they can see past the folds and creases.

Occam’s bludgeon

I’ve been reading a lot lately on the nature of time and space from the perspective of physics, and I cannot help thinking of the drunk looking for his car keys under a streetlamp. Asked by a passerby where he last saw them, he replies, “In that dark alley.”

“Really?” asks the bystander. “Then why are you looking here?”

“Because the light’s better!”

To a physicist, mathematics is the light. It is the hammer for which all problems resemble a nail. It is the hail and farewell of a journey not taken.

Don’t get me wrong, I am fully aware and appreciative of the power of mathematics.  Without it, I couldn’t be “writing” this post — tapping on plastic bumps, confident that not only will the resultant deviations of light on an entirely separate slab in front of me configure themselves to reflect my thoughts, but also send mysterious invisible waves into the night so that you can see those same squiggles on your slab.  But the formulas that describe these processes are not identical to the processes themselves, as phenomena in the real world.  They are models, or

… task-driven, purposeful simplification[s] and abstraction[s] of a perception of reality … [emphasis mine]

In other words, take out all the messy, inconvenient bits and see if you can’t come up with something useful.  There have been powerful models of reality throughout history that have enabled marvelous results, and that we have since decided are inaccurate.  I need only mention shamanism and acupuncture.  And even physicists, despite all their rhapsodizing about mathematics, still can’t make all their theories play well with each other without imaginative gymnastics.

Mathematical models are by far the most universal and fruitful of these, but are they real, in the sense that the universe works that way a priori?  Not according to Raymond Tallis:

The mathematics of light does not get anywhere near the experience of yellow, nor does the mathematical description of patterns of nerve impulses reach pain itself. This is sometimes seen as evidence that neither the colour nor the pain are really real – although it might be difficult to sell this claim to the man looking at a daffodil or a woman with toothache.

I have no quibble with the idea that models, mathematical or otherwise, are indispensable for our understanding of the real world, but physicists have been insisting that they are the real world.  They cite Occam’s Razor, the axiom that the simplest explanation is always not only the most likely to be true, but is actually true.

Ironically, William of Occam, the late medieval monk for whom this principle is named, did not believe in the existence of universal laws of nature.  Humans, he thought, had made them all up for convenience.

Go figure.

 

Dream challenge #1

I have friends who insist on interpreting dreams.  I also have very strange dreams from time to time, so I’ve decided to put the two together in an occasional Omniop feature I’m calling ‘Dream challenge.’  Go for it.

I’ve been selected to participate in an expedition to colonize a distant planet.  We file onto the spacecraft, giddy with excitement, check our bags and take our seats.  Because the planet is so far away, it will take 30 years to get there, so as soon as we’ve settled in, clear polycarbon canopies descend, sealing us off and putting us in a state of suspended animation for the duration of the flight. We don’t feel the tug of Earth as the rocket lifts off, we get no last glimpse of our erstwhile home; we are essentially comatose until we get there.

30 years pass,  The computer wakes us as we approach our new home.  The spacecraft has a wide window, through which we see the rapidly approaching terrain, green and inviting, when it hits me.

“Damn!” I say, turning to the Captain.  “I forgot my phone.  Would you mind going back to get it?”

Piano

When I was a kid in the third grade at St. Phillip’s school, my father decided I should take piano lessons.  The basis for this was my recent obsession with this new singer on the pop horizon by the name of Elvis Presley.  He sounded like nobody I had ever heard before, or, rather, like everybody I had ever heard before at once.  He played guitar, although as little as possible, so I wanted a guitar, too.  My father, sensible beyond all reason, thought I would be a better musician if I learned to play the piano first, and then branched out from there.  He either didn’t notice or didn’t care that what I really wanted was to be a rock and roll star, wriggling and hooting my way to popularity and fame; in my child’s mind the two were indistinguishable.  If musicianship was a requirement of that, I was happy to go along, but to a point.  Elvis, as I said, played his guitar as little as possible, leaving musicianship to the musicians in his band.  Never mind, Dad wanted me to take piano lessons.  He had played violin before the war, and loved music, but had abandoned it, along with much else of beauty, after the war spat him back out.  He didn’t understand Presley and rock music, except to acknowledge their financial potential.  “The more they wiggle, the more money they make,” he used to say.

It was his own fault, in a way.  He worked at RCA record division, at the plant that pressed the vinyl into music.  As a perk, the company let him take home six albums every couple of months, his preference.  He had no preference.  As a result, the take-homes were random, everything from Stravinski to Homer and Jethro, and whatever lay between.  In those  days, RCA pressed the records for a lot of smaller companies too, so the range was wide as the world.

At the same time, the radio music scene in my city was the epitome of eclecticism.  In a single hour on the same show, you could hear Mario Lanza, Hank Snow, the Platters, and Elvis.  I had no idea until much later on that you were supposed to pick a genre and ditch the others.  I made no artistic distinction between  Ezio Pinza and Elvis.  But I knew the other kids at school and around the neighborhood were crazy for the latter, and not the former.

It didn’t hurt that Elvis had this rebel persona.  Suffocating in my staunchly religious family, I immediately identified.  When my father told me I was going to take piano lessons, like it or not, my dreams came crashing down.

First, he had effectively coopted my ambition, spun it around until it was unrecognizable, and made it his own.  I couldn’t imagine anything less rebellious than piano lessons at St. Phillip’s.  I thought I knew the terms of that, and I didn’t like them.

My friend Wayne was the only guy I knew who was doing that.  Every day at 3:00, the rest of us would line up to leave the school and enter the free world; I would see Wayne trudging across the playground to the convent to take his lessons, always after school, and, it was darkly rumored, sometimes on the weekend as well.

The convent!  The actual lair of the creatures whose lives were dedicated to stripping the joy from ours!  Who knew what torments Wayne endured there?  Many years later, he told me it wasn’t at all bad.  I’m still not sure I believe him.

I knew what had to be done.  I resisted with all my might, and discovered that my father had given me the very thing I thought he was stripping away: an opportunity to Be a Rebel.  I marshalled every argument I could think of, mostly involving how much time would be lost from my other studies (in the third grade!), or how I would have to be late for dinner a lot, a cardinal sin in our house.  I stomped and put on magnificent silences, I exiled myself to my room.  In the end, against all expectation, I prevailed.  He gave up.

I was on cloud nine.  I got my guitar eventually, and hacked away at it.  By that time I was into folk music, and regarded music lessons of any sort as too gentrifying for my tastes.  My tempo was ragged, and I was king of the 13 bar blues.  I discovered jazz about that time as well, and predictably played guitar less and less as I realized how abysmally incompetent I was compared to the musicians I admired.  I made a hash of it, like most things.

The only abiding result of all of that was a growing regret that I had talked my father out of those piano lessons.

Well, this year, I finally gave in, bought a piano, a beautiful Yamaha P-115 electronic keyboard capable of pretending to be a dozen other instruments as well.  I started online lessons, the excellent Playground series created by Quincy Jones.  So I sit at the keyboard, practicing, getting a little better, a little more musical every day.  And as I sit there, I notice a little voice in the back of my head:

“Michael, sit up straight!”

If you won’t go to the convent, it seems the convent will come to you.

A rear-view mirror is still a mirror

People say all the time that they have no regrets.  Me, I’m practically defined by them; a man with no regrets is a man with no imagination, as far as I’m concerned, and I say that all too often for people around me, I suspect.  Still, I confess I’m mystified by people who essentially admit they can’t think of anything in their past that could have gone better had they made a different decision.  Equally, I fail to understand the virtue of still being the same person you were 40 or 50 years ago.  As Muhammad Ali said, someone who has the same opinions at age 50 as they had at age 20 has wasted 30 years of life.

Maybe that’s why, now that I’m old, I have this strange compulsion to revisit my life, to retrace my steps.  I’m drawn to places, both actual and conceptual, I passed through on my way here, to physically visit them, to stand in my own footsteps to see — what?

It’s not at all clear what it is I’m looking for, certainly not a glimpse of myself as I was then; that’s a vision that’s all too clear.  Nor is it primarily an attempt to reconstruct what I was thinking, to re-find or redefine whatever it was I thought I was doing, although that would certainly be interesting.  I’m not looking for redemption, or even a rationale.

Part of it is to correct the unconscious revisions I have made to my own history.  I’m sure you’ve had the experience of reconnecting, after many years, with an old friend or acquaintance, only to find that there are at least two contradictory versions of some common experience.  These things are seldom resolved, though.  We generally each come away wondering how the other person could have gotten the memory so wrong and yet be so sure.  It needs a new term to describe these common events.  How about “memoroid?”  I think that has enough innuendo hanging from it to serve the purpose.

No doubt what I’m looking for is a lot closer to hand and a lot easier to get at than a precisely calibrated reconstruction of the past.  See, I don’t think you can have a realistic assessment of who you are without a clear picture of who you were.

That gets both more and less difficult as you get older.

 

Humbled

What does it mean when someone says they are humbled by an experience?  Taken literally, it would mean they are made to feel more humble, which is to say less proud.  And yet, I would venture to say that most of us have never heard anyone use the expression in a context in which that makes sense, inasmuch it is almost universally used  on the occasion of receiving  an award. Usually, the humbling is accompanied by an expression of pride and gratitude.  The higher the honor, apparently, the more humbling the experience and the greater the pride.

There is only one sense in which winning an award can be a truly humbling experience, and that is if it is undeserved.  Do you feel that your accomplishments are trivial compared to the work of other recipients?  Was the award completely unexpected because you think of yourself as just getting the job done in a workmanlike way, nothing special?  Do you feel that if the award committee looked back over your record they’d have to reconsider choosing to honor you?  Is the contribution of others unfairly minimized by their exclusion?

These are all perfectly normal reactions, whether valid or not.  They are also utterly inconsistent with pride, and the kind of gratitude that would be appropriate in this context smacks of favoritism and ulterior motivation.

If you truly feel humbled, the most honorable thing to do is to turn down the award and explain your reasons.  If, after mulling things over, you decide you deserve the award after all, accept it with grace and pride, never mind the false humility.  If you still feel the award is undeserved, but it would create awkwardness for the committee to turn it down, well, you’re in a fine pickle, aren’t you?

It’s ironic, to say the least, that when someone actually does turn down an award, they are almost always criticized for being too full of themselves.

In truth, I suspect that most of the time it is simply formulaic, the right thing to say in the same way that people say “pleased to meet you,” or “sorry for your loss.”

But I can’t help it.  It’s my duty as a curmudgeon to harp on these things.

 

 

The king is dead! What king?

In 1478 BCE, give or take a year, Hatshepsut ascended to the throne of Egypt, her recently deceased husband, the Pharaoh Thutmose II, leaving as heir only his infant son, Thutmose III. Thutmose II, the son of Thutmose I by a secondary wife, married Hatshepsut, the daughter of the same Thutmose I (bear with me here) because she was T. I’s daughter by his primary wife, and thus had a stronger claim to the royal lineage. T.II thought, apparently, that this would cement his position permanently.

It worked, sort of. The only thing is, Hatshepsut was a much better leader than her husband, and when he died after a decade or so, she took control and refused to let go, even after T. III got old enough to rule on his own. I always thought of Thutmose III as being kind of like poor old Prince Charles, whose mom refuses to step down so he can be king.

In any case, Hatshepsut finally kicked the bucket around 1458 BCE, having had an illustrious career as only the second female pharaoh that the Egyptian chroniclers would admit to, and Thutmose III finally got his shot. But his Aunt Hattie’s reign must have stuck in his craw, because eventually either he or his son Thutmose IV (AKA Amenhotep II; are you still with me here?) set about obliterating as much of the record of her accomplishments as he could. This was no mean task, since royal memoirs in those days were literally carved in stone.

Which brings me to Donald Trump and the Republican Congress (nice transition, eh?). It will not do for a man of Trump’s boundless ego to succeed someone who, well, succeeded. So, in cahoots with the congress, which has been doing its level best to make Obama a failure, and failing at that, Trump will try to see to it that any vestige of Obama’s success be obliterated.

The process has already started with an executive order cancelling unspecified parts of the health care act, and will soon continue with more executive orders.

Care to take any bets the congress will suddenly stop whining about the “imperial presidency?”

We well might ask how effective this kind of exercise is. Did it work in ancient Egypt? Ironically, two and a half millennia later, Hatshepsut is not only remembered, but honored as one of the most effective pharaohs Egypt had.

I suspect Obama’s reputation will be restored much sooner than that.  His accomplishments may not be carved in stone, but I predict it won’t be long before people start pining for the good old days when he was in charge.