About those golden years…

Something many people don’t know about me is that, years ago, I was a young person. Back then, I saw the world in terms of unlimited possibility, if only I could overcome the proliferation of totally unfair obstacles it was throwing at me. I was idealistic. If something wasn’t good enough, then, dammit, get rid of it, and if you didn’t agree with me, then it was time to leave you behind to fend for your sorry self.

Now that I’m old, I’m not much different, except that I keep my more misanthropic thoughts to myself. I imagine I’ve gotten smarter about life, but how can you trust someone who has always thought that anyway?

I hear a lot of people my age (old) say they still feel like they’re in their 30s, or 40s if they’re 10 years older than I am, which is not at all what we expected to feel like. When you’re young you imagine old people as a kind of separate species. You imagine them sitting around on benches, either thinking wise and kind thoughts or crabbing about everything, when you’re not seeing them drooling their walkers through the corridors of a nursing home. The wise and kind elderly are usually dead, the better to be idealized; the crabby type lives in your neighborhood to be seen every day. The old fart yelling at kids to get off his lawn has become a trope, but I’d venture to say that sort of behavior is more characteristic of the young and up-and-coming. A bit of projection?

Anyhow, my young friends, I’m here to tell you exactly what being old really feels like.

It feels exactly like being young. And recovering from a car wreck.

Medicare for all: too expensive?

In a word, not even close.

Let’s check this out, using some of the same figures that have been bouncing around lately.  Bernie Sanders’ Medicare for All (MFA) proposal, reported CNN in 2017, would cost $1.3 trillion per year.

Wow, that’s a lot! Isn’t it? Let’s break it down.  There are approximately 157,288,000 Americans in the work force in 2019. $1.3 trillion, then, comes to roughly $8,900 per taxpayer, assuming that the entire cost of MFA will be borne by working people paying taxes.

About 55.4% of employed Americans are covered by health insurance provided by their employers, which accounts for 8.5% of wages for these people. The national average annual income, excluding benefits,is $46,800.  That’s a cost to the employer of $4,212 per year per employee.

If you’re a working American that’s a part of your compensation that you don’t normally see, but you can bet your employer does.

So, let’s get back to the cost of MFA, $8,900. If the money your employer pays for your health insurance were simply shifted to financing MFA, it would cover almost half of the cost.

So, what about the rest of it?  Well, the rest of it can be covered by the 44.6% of working people whose employers do not pay for their health insurance, and who therefore must pay for their own insurance, and you can bet that they pay a hell of a lot more for the same coverage than do employers.  The average cost of all private health insurance in 2019 is about $7,000.  Even accounting for the free spirits who would rather risk going broke than buy insurance, it’s more than enough to offset the remaining cost of MFA in increased taxes.

Of course, the entire cost could be offset by simply rescinding the recent Republican tax cuts, which benefit primarily the ultra rich, amounting to $2.3 trillion. But that’s off the table.

Or is it?


The new Puritans: like the old Puritans, but without the excuse of religion

“The difference between a Republican and a Democrat,” according to Will Rogers, “is the Democrat is a cannibal. They have to live off each other, while the Republicans, why, they live off the Democrats.”

Here’s the great irony of our political age: fundamentalist conservatives are willing to overlook almost any moral transgression in the interest of advancing their agenda, while we in the opposition gleefully kill our darlings for the slightest whiff of incorrectness.  The Right may be hypocritical, but the Left is downright prudish, conflating the most minor peccadillos and verbal gaffes with Trump/Epstein scale abomination.  How on earth did this happen?

It happened because we, the left and leftish, have poured disdain on the right for the sin of hypocrisy. We have, in fact, made hypocrisy our favored attack, second only to accusations of moral transgression, and, since we’ve been harping on this ad nauseum instead of arguing the merits of our positions, we can hardly ignore transgressions among ourselves. This is especially true since a favorite tactic of the Trumpist variant of the right is to accuse its enemies of its own failings. In effect, we’ve created a moral standard, burnished it with a zero-tolerance ethic, and handed it to the right to use as a primary weapon against us. Lost in all of this tu quoque badinage is any discussion of the real world merits of our policy differences.






What it takes to be an artist

Think of the stereotypes. Artists are loners, wild and unruly, enthralled with themselves, beholden to no norms, egoists above all. Whether you approve or not, artists are held to different standards. Think of Picasso, Warhol, Morrison, Joyce. The #MeToo movement has put some cracks in this image, but, I think, without doing any serious damage to the stereotype. Is there a kernel of truth to it?

Maybe. Or better, in part. I think the image of the self-possessed and self-obsessed seer of things the rest of us can’t may be a caricature of a small subset of artists as a whole: those who are successful enough to rise above the mass of humanity and become visible to us. In a word, the famous.

I know a lot of artists — painters, sculptors, photographers, poets, novelists, musicians – who will never be able to quit their day jobs but ply their crafts with as much dedication as anyone. Is it because they’re not as good at it? Some part of it is no doubt that, but who is as good as or better than whom is an elusive quality to pinpoint. I suggest that more of it has to do with precisely those personality traits that make up the stereotype.

Doing art involves rejection and ridicule. A lot of it. A little Googling will turn up dozens of famous writers who collected numerous rejections. As for painters, the term impressionist was first used as a term of ridicule. It’s not hard to find any number of inspirational essays citing these facts and exhorting the artist to stick to it, that perseverance will eventually pay off.

This isn’t one of them. It may payoff, but most likely not much, and that’s not the point. The point is that all the artists you know about had, in addition to the basic skills (and occasional genius) required of their craft, an ability to face up to rejection and ridicule, to keep close an image of themselves as important people with something unique and valuable to contribute to society.

It’s an attribute of character that’s more about success in general than peculiar to art. Think of Steve Jobs, whose self-confidence about knowing more about cancer than cancer researchers actually killed him.

Still, being a little bit wacky doesn’t hurt.

Okay, it hurts, but it’s a gas.

A Christmas message

Philosophers, mystics, and even cognitive scientists seem to agree that there is no reality, that it’s all an illusion.  The vague, ambiguous category of persons called neuroscientists will take it a step further, and insist that consciousness itself is an illusion.  If you ask them what, exactly, is it that’s having the illusion, if not a consciousness, then you’re subjected to that look that combines disappointment, concern, and pity.

And yet, If I’m driving my illusion down the road, I can’t steer it into your illusion coming the other way without resulting in the two of us having substantially the same illusion about the outcome.

On the other hand, if the whole thing is my illusion only, conscious or not, I am, in effect, God. In which case I refuse to generate a Son just to send him down for you to torture to death and then coopt for your own purposes.

Merry Christmas.